By David Bradshaw(eds.)
Taking an cutting edge and multi-disciplinary method of literature from 1947 to the current day, this Concise spouse is an quintessential advisor for somebody looking an authoritative realizing of the highbrow contexts of Postcolonial literature and tradition.
- An quintessential advisor for an individual looking an authoritative knowing of the highbrow contexts of Postcolonialism, bringing jointly 10 unique essays from prime overseas students together with C. L. Innes and Susan Bassnett
- Explains the information and practises that emerged from the dismantling of eu empires
- Explores the ways that those principles and practices stimulated the period's keynote issues, akin to race, tradition, and id; literary and cultural translations; and the politics of resistance
- Chapters disguise the fields of id stories, orality and literacy, nationalisms, feminism, anthropology and cultural feedback, the politics of rewriting, new geographies, publishing and advertising, translation experiences.
- Features an invaluable Chronology of the interval, thorough common bibliography, and courses to extra interpreting
Chapter 1 Framing Identities (pages 9–28): David Richards
Chapter 2 Orality and Literacy (pages 29–55): G. N. Devy and Duncan Brown
Chapter three The Politics of Rewriting (pages 56–77): C. L. Innes
Chapter four Postcolonial Translations (pages 78–96): Susan Bassnett
Chapter five kingdom and Nationalisms (pages 97–119): John McLeod
Chapter 6 Feminism and Womanism (pages 120–140): Nana Wilson?Tagoe
Chapter 7 Cartographies and Visualization (pages 141–161): David Howard
Chapter eight Marginality: Representations of Subalternity, Aboriginality and Race (pages 162–181): Stephen Morton
Chapter nine Anthropology and Postcolonialism (pages 182–203): Will Rea
Chapter 10 Publishing Histories (pages 204–228): Gail Low
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Additional resources for A Concise Companion to Postcolonial Literature
1991) . The World, the Text and the Critic. New York: Vintage. —— (1998) . Beginnings: Intention and Method. London: Granta. —— (1998) . Culture and Imperialism. New York: Vintage. —— (2001) . Reflections on Exile and Other Essays. London: Granta. —— (2003) . Orientalism. Harmondsworth: Penguin. Sartre, Jean-Paul (1965). Anti-Semite and Jew [Réflexions sur la question juive 1948]. Translated by George Joseph Becker. New York: Schocken. Selvon, Sam (2006) . The Lonely Londoners.
References and Further Reading Berger, John (1999). The Guardian, 20 November. Bhabha, Homi K. (1986). ‘Foreword: Remembering Fanon: Self, Psyche, and the Colonial Condition’. In Frantz Fanon Black Skin, White Masks. London: Pluto. —— (1987). ‘Interrogating Identity: the Real Me’. ) Identity: the Real Me (pp. 5–11). ICA Documents 6. London: Institute of Contemporary Arts. —— (1990). Nation and Narration. London: Routledge. —— (1994). Location of Culture. London: Routledge. Césaire, Aimé (1983).
They are never constrained by the idea of unity of place or time or theme. They are stories to be told and retold, flexible in plot and accessible to audiences of varying social, religious, and ethical persuasions. The dramatic tradition in India is considered to have made a beginning with the theatre developed by Bharatamuni, commonly referred to as Bharata, and is believed to have lived during the second century BC. His theoretical compendium, the Bharata-natyashastra, enjoys the same place in the Indian tradition of drama and the associated arts, such as dance and music, as does Aristotle’s Poetics in Western literature.
A Concise Companion to Postcolonial Literature by David Bradshaw(eds.)